更新新作｜超级玩具——想象未来 回到最初的真实
家居装修设计网2020-08-18 11:58
如果说我们的未来会像大部分科幻片所拍摄的那样，到处充斥着灰蒙蒙的雾霾、同质化的建筑、冷冰冰的代码，相信大部分人都不会愿意前往 。因为在这样的未来，我们势必会变成城市流水线上的一个零件，却与自己的内心渐行渐远。那作为建筑师的我们，可以为未来做一些什么？If our future will be full of gray smog, homogenized buildings, and cold co
如果说我们的未来会像大部分科幻片所拍摄的那样，到处充斥着灰蒙蒙的雾霾、同质化的建筑、冷冰冰的代码，相信大部分人都不会愿意前往 。因为在这样的未来，我们势必会变成城市流水线上的一个零件，却与自己的内心渐行渐远。那作为建筑师的我们，可以为未来做一些什么？
If our future will be full of gray smog, homogenized buildings, and cold codes like most of the science fiction films, I believe most of people will not be willing to go. Because we will inevitably become a part of the urban assembly line in such a future, and it is gradually away from our own heart. So what can we do for the future as architects?
作为建筑师我们应该找回最初的那份真实和想象力，为未来做一点点改变。相信大家在小时候都会拥有几件自己爱不释手的玩具，可能是一组积木、一个变形金刚、一个气球或者是一套五颜六色的橡皮泥。随着年龄的增长我们的玩具也在渐渐发生变化，他们可能变成了像跳房子、卡牌、狼人杀这样的游戏或者是游乐场里的迷宫、过山车和海洋球乐园。虽然玩具的形式和大小在不断的变化，但是玩具所带给我们的快乐和幸福感却始终没有改变。所以我们希望能够在玩具、游戏甚至游乐场中汲取灵感，让我们设计的空间变成一个“超级玩具”。
“超级玩具”不是对于玩具的简单复制和放大，它是将玩具的背后逻辑进行提取和应用。我们认为玩具的内核与空间设计有很多相通的地方，它可以被归纳为3个方面。第一个是立体构成。很多玩具在造型设计上可以被看做是缩小版的雕塑或者是建筑，精心设计过的玩具造型可能是我们最早认识到立体构成美感的媒介；第二个是故事情节。玩具的背后往往会像电影一样有它自己的故事，这个可能是我们选择一个玩具的理由之一。而当我们在把玩玩具时，又会假想和赋予玩具更多的情节。
当我们在做空间设计的时候也同样会试图通过动线、视线、光影等手法来增加空间中的故事情节；最后一个是互动体验。触碰一个按钮弹射一辆赛车，扭动几个关节让变形金刚完成变身，打开一个开关让旋转木马开始转动。这些或许是我们通过玩具最早接触到的互动体验。同样的，在空间里我们也会将体块的抽拉、旋转、挤压，又或者是灯光、声音、气味的触发等互动体验融入到设计之中。当“超级玩具”的外形与内核结合在一起变成空间时，视觉上的美感和空间体验的趣味性就会放大。
"Super toy" is not a simple copy and enlargement of toys, it is to extract and apply the logic behind the toys. We think there are many similarities between the core of toys and space design, it can be summarized into three aspects. The first is a three-dimensional composition. Many toys can be seen as miniature sculptures or buildings in shape design. The well-designed toy modeling may be the medium that we earliest realize the three-dimensional beauty; The second is the storyline. Behind a toy often has its own story like a movie, which may be one of the reasons we choose a toy. When we are playing with toys, we will imagine and give them more plots.
When we are doing space design, we will also try to increase the storyline in the space through moving lines, sight lines, light and shadow, etc.; The last one is the interactive experience. Touching a button to launch a racing car, twisting a few joints to complete the transformation of transformers, and turning on a switch to rotate the carrousel, these may be the earliest interactive experiences we touch through a toy. Similarly, in the space, we will also integrate the pull, rotation, squeeze of the block, or the lights, sounds, smells and other interactive experiences into the design. When the shape of the "super toy" and the inner core are combined into a space, the visual beauty and the fun of the space experience will be magnified.
△ 不同风格形态的“超级玩具”在空间中的应用
The application of different styles and forms of utoypia
我们认为未来的空间不应该是一尘不变的复制品，每一个空间都应该具有自己所要表达的情感。而“超级玩具”正是这样一个不受地域和时间限制的变体。在不同的环境、文化、历史等因素的影响下，“超级玩具”的形态、颜色、材料会发生改变。它可以出现在城市，也可以隐藏在田间，它可以是一个艺术装置，一个室内场景，一个建筑个体；它也可以更换表皮变成不同风格的“超级玩具”。
We believe that the future space should not be an immutable copy, and each space should have its own emotions, and the "super toy" is such a variant that is not limited by region and time. Under the influence of different environment, culture, history and other factors, the shape, color and material of "super toys" will change. It can appear in the city or be hidden in the field, it can be an art installation, an indoor scene, an architectural individual; It can also change the surface to become a "super toy" of different styles.
海洋球乐园
Ocean ball park
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